Showing posts with label Star Wars. Show all posts
Showing posts with label Star Wars. Show all posts

Saturday, March 9, 2013

The Gunslinger (original)

I feel like reading this version of the book was a good call because I enjoyed it much more than the revised version.  The revised version reminded me of the 'new' Star Wars, where you have scenes that aren't really necessary added in (like Han and Jabba...unnecessary).  I was surprised to find that apart from the references to what happens later in the books, there were some other changes too.  For instance, there is no 'threaded' meat as opposed to other meat; this little detail draws the reader's attention to the fact that there is something off with some of the available food products, which I think makes us assume that there has been some kind of nuclear (i.e., long-lasting) catastrophe.

There also wasn't so much about the number 19, which made more sense to me.  This number comes back in the final books, but wasn't so prominent in the first books, so it felt weird for it to suddenly appear.

What I also found surprising is that Susan was mentioned, although mostly only in passing and not with the same detail as in the later book.  I had one of the 1989 reprints, which ends with an afterword from SK.  He said that he was looking forward to writing the next books, including the fact that he wanted to discover who this Susan was.  Yay!  This version of the book makes sense to me.

Certainly, the book in this format was less cohesive with the rest of the series, but I was okay with that.  The revision felt too contrived, like SK was trying to tie everything together.  That doesn't make sense to me, since the whole thing doesn't tie together and I don't think that it can.  If you can get your hands on a copy of the early version, I would highly recommend it over the later one.  That being said, it wasn't easy to find, so you may be stuck with the revision.

Thursday, September 15, 2011

The Stand, initial reaction

I finished The Stand!  It was SUPER long.  So long, in fact, that I think I will post observations for the next week or so about the book separately, otherwise I will have a blog post that is of Stand-like proportions.  The good news is that it is actually the longest of all of his books (!), so yay.  It, with only 10 fewer pages, comes awfully close, though. 

My first observation is that I think Stephen King is afraid of cornfields.  The rest of us fear the monstrous creatures that live in his imagination.  He fears cornfields.  In case you didn't get that vibe from 'Children of the Corn,' it is also prominently featured in The Stand, where Randall Flagg faffs around in Nebraskan cornfields, scaring the Good People.  Seriously, I am definitely be more afraid of killer clowns in sewers, vampires taking over my town, and haunted hotels possessing caretakers than cornfields.

I did read the New and Improved version of The Stand that was published in 1990.  I guess I could have gone back to the Old and Lousy (and shorter by oh, around 300 pages) version from 1978 then compare it to the New and Improved version, but frankly, people, I have a job and can't just spend my whole life reading Stephen King books.  While I personally didn't notice any blatant anachronisms (there are some listed on the Wikipedia page, in case this kind of thing concerns you), one did catch my attention: the fact that Trashcan Man had a lobotomy to try and 'cure' his crazy (who is Trashcan Man and why he is crazy will be discussed later.  Or maybe not.  There is a mini-series of The Stand, you know.  It shows up relatively often on ScyFy.  And it will only take 6 hours of your life as opposed to the book, which is SUPER long).  I found this fact to be almost an anachronism, but a very cool one.  In 1978, lobotomies were rare, but this was a recent development--their heyday as a 'cure' for mental illness was during the 1950s and early 1960s.  Considering that the revised version of the book is set in 1990, it would mean that Trashcan Man was older than I would guess.  I love these kinds of moments when you realize what a different world we live in from the past.  Another great example is Philip Roth's book Nemesis, which everyone should rush out and read.   You'll be happy to know that it is approximately four times shorter than The Stand.  It too is about a killer disease, except that the plot centers around polio and the fear that it could invoke in a 1944, New Jersey community.  How things have changed, and how quickly.

I was struck by the parallels between The Stand and The Dark Tower, which are far too numerous to list in one blog post.  There is something to be said for The Stand taking place in one of the alternative worlds found in the Dark Tower series; it is mentioned explicitly in Book 4, but there are more parallels than that.  I'll try not to get too into these comparisons, but it is hard.  One thing that did annoy me about the 1990 version is that every so often, there would be a phrase or word from The Dark Tower and suddenly you would wonder if that was added later; by 1990, he had published Dark Tower books 1-2 and, since 3 came out the next year, he probably had an idea of where that was going.  Or maybe not.  Maybe he wrote it in two weeks.  You never know with this guy.  I will think about the intersections between 3 and The Stand when I get there, though, now that I've noticed how close those were in time.  One that did hit me was that Mother Abigail referred to Franny's baby as 'the chap,' which is exactly what Susanna does in The Dark Tower, only that her baby is not quite so welcome.  I know, I am getting ahead of myself.

What I found most zeitgeisty about The Stand was its unambiguous division into Good People and Bad People.  Sure, there were a few on the fence (by which I mean two that were actually developed as characters: Harold Lauter and Nadine Cross), but that was about it.  This reminded me of Star Wars, which came out just a year before The Stand.  Must have been something about unambiguous depictions of Good and Evil around this time.  I was going to jokingly write, 'Let's blame Nixon, shall we?' when I realized that I think that might be part of what Stephen King had in mind here since much of The Stand involves recreating an American society after America has disappeared due to a top-secret government plot gone awry.  But that will definitely need to be saved for another day.